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VCAD 200-01

Graphic Design History 

RESEARCH ASSIGNMENT

Due Date: November 13 during class

Length: Approximately 1000 words (4 - 5 double spaced, typed pages at 12 pt.)

Subject: Select one graphic artist to be covered in this class who intrigues you, or whose works you admire, and thoroughly research and present his/her life and contributions to graphic arts (see list of possible choices below). Include as many illustrations of their art as possible (but relate to it through the text). Selection of the artist must be made and approved by the instructor by September 18. The content of the paper should include, but is not limited to, a summary of the artist's career with analysis of their outstanding works and style, significant events during the artist's life (personal and in general), discernable personal difficulties or obstacles, education and training, style(s) and subject matter(s), personal influences, and legacy. While the assignment can be done in the form of a biography, relate as many of the events and influences in your chosen artist's life to their artworks as possible. If desired, you may confine your research on the artist to a specific period and/or body of work.

The paper must be researched and presented in accordance to standard art historical practices and formats. All sources must be properly listed in a bibliography and presented properly as footnote citations. Refer to the WRITE manual for the proper formats and research procedures. Failure to utilize these formats will result in a substantial reduction in the paper's grade. Failure to properly cite sources will be considered as plagiarism and will result in a '0' grade. A working bibliography, listing at least 4 sources, is due on October 21. Internet sources other than on-line journals will not be accepted.

Required Appendices: For your chosen artist, please present the following information:

Artist Name
Nationality
Dates (birth - death)
Place of Birth
Degrees and awards

Illustrations are to be presented as appendices on separate sheets after the body of the text and before the bibliography. B & W Xeroxes are acceptable. Each must be numbered and presented sequentially (Figure 1, 2, 3, etc.) as referred to in the text. All illustrations must be captioned with the artists name, title, date, medium, size (if known), and source for the image.

 

Research Possibilities

 
Johann Gutenberg Michael Wolgemuth Albrecht Durer
William Caxton Aldus Manutius Geoffrey Tory
William Caslon John Baskerville Giambattista Bodoni
William Blake Ottmar Merganthaler Joseph Niepce
Louis Jacques Daguerre William Henry Fox Talbot Honore Daumier
Louis Prang Walter Crane Randolph Caldecott
Kate Greenaway Thomas Nast Charles Dana Gibson
Howard Pyle William Morris Charles Ashbee
Lucien Pissarro Frederic Goudy Bruce Rogers
Jules Cheret Eugene Grasset Aubrey Beardsley
The Beggarstaffs Henri de Toulouse-Lautrec Theo Alexandre Steinlen
Alphonse Mucha Will Bradley Maxfield Parrish
Jan Toorop Henri van de Velde Peter Behrens
Charles Rennie Mackintosh Francis Macdonald Margaret Macdonald
Herbert MacNair Jugendstil Magazine Ver Sacrum (magazine)
Gustav Klimt Koloman Moser Berthold Loffler
Carlo Carre Filippo Marinetti Fortunato Depero
Kurt Schwitters John Heartfield George Grosz
Lucian Bernhard Julius Klinger Hans Rudi Erdt
Ludwig Holwein Jules Gipkens James Montgomery Flagg
J.C. Leyendecker E. McKnight Kauffer A.M. Cassandre
Jean Carlu Joseph Binder Kasimir Malevich
El Lissitzky Alexander Rodchenko Theo van Doesburg
Laszlo Moholy-Nagy Herbert Bayer Joost Schmidt
Jan Tschichold Piet Zwart Herbert Matter
Merle Armitage Lester Beall Alexey Brodovitch
Joseph Binder Will Burtin Armin Hofmann
Josef Muller-Brockmann Paul Rand Alvin Lustig
Bradbury Thompson Saul Bass Thomas Geismar
Ivan Chermayeff Robert Brownjohn Cipe Pineles
Otto Storch Henry Wolf Ramparts (magazine)
Gene Federico Doyle Dane Bernbach Agency Herb Lubalin
George Lois William Golden Georg Olden
Milton Glaser Seymour Chwast Peter Max
Gunter Rambow Robert Massin Dan Friedman
April Greiman Michael Manwaring Paula Scher